Nairobi's rise as visual arts hub

This past weekend bore witness to a plethora of paintings, a wide range of both group and solo shows that once again confirmed Nairobi’s status as the hub of contemporary African visual art across East Africa.

Starting just days before the weekend with three solo shows by Wanjoh

This past weekend bore witness to a plethora of paintings, a wide range of both group and solo shows that once again confirmed Nairobi’s status as the hub of contemporary African visual art across East Africa.

Starting just days before the weekend with three solo shows by Wanjohi Maina, Ngugi Waweru, and Adika Austine, the trio opened at Circle Art Gallery and filled both the walls and the walkways with 2D and 3D art.

On Saturday at the Organic Farmers’ Market in Karen, there was a pop-up exhibition titled ‘Luminance’ that featured works by 10 painters, including Anne Mwiti, Mumbi Muturi-Muli, Andrea Bohnstedt, Shabu Mwangi, Michael Musyoka, Boniface Maina, Lemek Sompoika, Jamie Vaulkhard, Jimmy Kitheka, and Zephaniah Lukamba.

Then came the premiering solo exhibition for the newly opened African Arts Trust. Onyis Martin admitted to the BDLife that he felt honoured to be the Trust’s first artist to have a solo show in Africa.

And finally, on Sunday, Red Hill Gallery also had the solo exhibition of Boniface Maina who’d come from Nanyuki where he’d shifted after being one of the three founder-members of Brush Tu Artists Collective.

With his show entitled ‘Delicate Densities’, 'Boni' explores the issue of what it means to be human from an inquisitive African artist’s perspective. It’s a fascinating body of work. “It’s partly autobiographical [and retrospective], partly current,” the artist told the BDLife at the opening.

There were many more arts events happening last weekend, like Martin Musyoka’s Canvas Chronicals Collection in Kitisuru and Flaminia Mantegazza’s exhibition entitled ‘An infinite Expectation of the Dawn’ at Nairobi National Museum. But we couldn’t be everywhere at once. What we could see was how diligent and determined Kenyan artists are to progress and develop their practice artistically.

Boni Maina’s collection at Red Hill effectively illustrates this point. But it also shows the advantage of getting out of the city so that the artist could work quietly to develop his own imaginative and original style of art. Boni takes a unique approach that combines painting and drawing, with carving and printing, bleach and ink, all in a playful interplay of technique and multi-media, paradoxical concepts and irregularly-shaped 3D paintings that explode with fresh new ideas to contemplate.


Sandra Santeyian

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